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Start giftingWhy We Need Religion
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Learn moreStephen Asma argues that, like art, religion has direct access to our emotional lives in ways that science does not. Yes, science can give us emotional feelings of wonder and the sublime—we can feel the sacred depths of nature—but there are many forms of human suffering and vulnerability that are beyond the reach of help from science. Different emotional stresses require different kinds of rescue. Unlike secular authors who praise religion's ethical and civilizing function, Asma argues that its core value lies in its emotionally therapeutic power.
No theorist of religion has failed to notice the importance of emotions in spiritual and ritual life, but truly systematic research has only recently delivered concrete data on the neurology, psychology, and anthropology of the emotional systems. This very recent "affective turn" has begun to map out a powerful territory of embodied cognition. Why We Need Religion incorporates new data from these affective sciences into the philosophy of religion. It goes on to describe the way in which religion manages those systems—rage, play, lust, care, grief, and so on. Finally, it argues that religion is still the best cultural apparatus for doing this adaptive work.
Stephen T. Asma is a professor of philosophy and Founding Fellow of the Research Group in Mind, Science, and Culture at Columbia College, Chicago. He is the author of On Monsters: An Unnatural History of Our Worst Fears and Stuffed Animals and Pickled Heads: The Culture and Evolution of Natural History Museums.
James Anderson Foster was one of those kids that actually lettered in drama way back in High School (and if you ask nicely, he might even tell you just how far back that was). Since that time, he's done most of his acting behind a microphone, and has narrated audiobooks for a variety of publishers, across nearly all genres-both fiction and nonfiction. He was born and raised on the west coast, and even though he's lived in the Midwest for over a decade now, still considers Oregon "home." In 2015, James was a finalist in three categories for the Society of Voice Arts and Sciences Voice Arts Awards (Mystery, Science Fiction, and Fantasy). James has been praised for his conversational delivery and ability to sound exactly like the voice you were imagining in your head.