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The Quickening by Elizabeth Rush
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The Quickening

Creation and Community at the Ends of the Earth

$42.99

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Narrator Helen Laser

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Length 10 hours 36 minutes
Language English
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An astonishing, vital book about Antarctica, climate change, and motherhood from the author of Rising, finalist for the Pulitzer Prize in General Nonfiction.

In 2019, fifty-seven scientists and crew set out onboard the Nathaniel B. Palmer. Their destination: Thwaites Glacier. Their goal: to learn as much as possible about this mysterious place, never before visited by humans, and believed to be both rapidly deteriorating and capable of making a catastrophic impact on global sea-level rise.

In The Quickening, Elizabeth Rush documents their voyage, offering the sublime—seeing an iceberg for the first time; the staggering waves of the Drake Passage; the torqued, unfamiliar contours of Thwaites—alongside the workaday moments of this groundbreaking expedition. A ping-pong tournament at sea. Long hours in the lab. All the effort that goes into caring for and protecting human life in a place that is inhospitable to it. Along the way, she takes readers on a personal journey around a more intimate question: What does it mean to bring a child into the world at this time of radical change?

What emerges is a new kind of Antarctica story, one preoccupied not with flag planting but with the collective and challenging work of imagining a better future. With understanding the language of a continent where humans have only been present for two centuries. With the contributions and concerns of women, who were largely excluded from voyages until the last few decades, and of crew members of color, whose labor has often gone unrecognized. The Quickening teems with their voices—with the colorful stories and personalities of Rush’s shipmates—in a thrilling chorus.

Urgent and brave, absorbing and vulnerable, The Quickening is another essential book from Elizabeth Rush.

Elizabeth Rush is the author of The Quickening: Creation and Community at the Ends of the Earth; Rising: Dispatches from the New American Shore, which was a finalist for the Pulitzer Prize; and Still Lifes from a Vanishing City: Essays and Photographs from Yangon, Myanmar. Her work has appeared in the New York Times, Harper's, Orion, Granta, Guernica, and elsewhere. A recipient of fellowships from the National Science Foundation, National Geographic, the Andrew Mellon Foundation, the Howard Foundation, and the Metcalf Institute, Rush lives with her husband and son in Rhode Island, where she teaches at Brown University.

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Reviews

“Helen Laser narrates with a thoughtful style, a smart cadence, and an empathetic tone.… Laser emulates the author's probing journalistic style when she interviews her shipmates on their experiences and captures Rush's personal struggle as she contemplates bringing a child into our environmentally compromised world. Laser vividly delivers Rush's thoughts and experiences, including an account of giving birth the year after she returned.” AudioFile Magazine

“Award-winning narrator Helen Laser offers a smooth, rich performance, ably communicating scientific data while bringing out the human side of this impressive venture. Laser conveys the lyricism of Rush's writing, which verges on poetic, even when describing the small details of taking samples and analyzing measurements. An elegantly narrated, fully fleshed account of a singular trip to an imperiled place. Listeners and readers of Margaret Lowman's The Arbornaut or Naira de Gracia's The Last Cold Place will love this.” Library Journal

“The fascinating inside story of climate science at the edge of Antarctica [. . .] In this follow-up to Rising: Dispatches from the New American Shore, Rush shows us how data collection happens, capturing the intriguing details of climate science in the field [. . .] The scientists are not the only heroes of Rush’s book, which emphasizes above all the collaborative and interdependent nature of such voyages, where so much depends on the staff and crew. In addition to her own poetic voice, the author incorporates the voices of everyone on the ship, highlighting women and racial and ethnic minorities, who have been overlooked in the canon of Antarctic literature.” Kirkus Reviews

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